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Images of the poem have been used for this blog to preserve its form.
PASA POR AQUÍ
ADDITIONAL BLOG ARTICLES

PAINTING PUEBLO CULTURE
By Kim Suina Melwani
In the early-to-mid-20th-century, a new Pueblo painting tradition — spurred by external influences — was developing, and a few Pueblo women stood out, both for their talent and rarity.

FROM REACTION TO PRESENCE: RETHINKING HOW COMMUNITIES CREATE CHANGE
By Teresa Heupel
“People are mobilized, but depleted. Connected digitally, yet emotionally fragmented. Passionate, but burned out.
This raises an important question.
Is awareness alone enough to create lasting change”?

NEW MEXICO’S AMAZING BLACK HISTORY
By Rob Martinez, State Historian of New Mexico.
“African history runs deep in New Mexico. Black history is often framed within the institution of slavery, but in New Mexico, New Mexicans of African descent were ambassadors, explorers, colonists, soldiers, cowboys, discoverers, settlers, businessmen, educators, and much more.”
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DISCLAIMER:
Any views, findings, conclusions or recommendations expressed in this blog post/article does not necessarily represent those of the New Mexico Humanities Council or the National Endowment for the Humanities.
ABOUT THE AUTHOR:
JOSHUA K. CONCHA
Joshua K. Concha is the current Poet Laureate of Taos, NM (2022-23). Most recently, his poetry appeared in the Ekphrastic Poetry Event organized by the SOMOS, Society of the Muse of the Southwest, and the Taos Arts Council (2019 & 2020). His work is also in the Winter 2016 issue of The Notebook: A Progressive Journal about Women and Girls with Rural and Small Town Roots and in the anthology 200 New Mexico Poems.